Julia's work begins with people. Figures in motion, figures at rest, figures caught in the ambiguous middle ground between vulnerability and strength. She draws from mythology, the old stories that cultures have told themselves about bodies, desire, shame, and power, and pulls them into the present, into colour, into texture, into something you can stand in front of and feel.
Her subject is not anatomy. It is empathy. The question she returns to, in tapestry after tapestry and painting after painting, is: what does it feel like to live in a body that the world has an opinion about?
Gender fluidity runs through the work as a recurring thread, not as a political statement, but as a human one. Julia is interested in the figures who exist between categories, who refuse easy classification, who are celebrated in mythology and marginalised in daily life. Her work makes space for them. It says: you belong here. You are worth depicting. You are worth looking at slowly.